"A collection of compelling essays analysing the technological evolutions which have defined pop and electronic music and how this history intersects. From Donna Summer and David Bowie to Daft Punk, from Afrobeats and Atlanta trap Reynolds pulls up the profiles of artists and scenes to build a real listening guide to the most essential electronic and digital sounds."
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The first Futurama reviewed in 1979 by NME 's Ian Punman and Andy Gill (RIP) F2 = the ground zero for Goth in many ways The second F... -
some earlier thoughts on the Futurists 1/ Futurism contra the Museal (from Retromania) Punk seems hostile to museum-ification on account of ...
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